The legendary rock trio Rush is back with a bang, and their 'Fifty Something' reunion tour is already making waves. As a lifelong fan, I was thrilled to witness their second night at the Kia Forum, Inglewood, which offered a delightful surprise in the form of a setlist overhaul.
What immediately caught my attention was the inclusion of the entire '2112' suite, a 20-minute masterpiece that hasn't been played in full since 1997. This is a significant move, especially considering the band's age and the physical demands of such a complex piece. Alex Lifeson and Geddy Lee, both in their 70s, delivered a performance that belied their years, showcasing the energy and precision that made Rush a household name in progressive rock.
The '2112' suite is a testament to Rush's musical prowess. It's a challenging piece, with intricate time signatures and dynamic shifts, and it's no wonder that the band had previously only played it in full during the 'Test for Echo' tour. The fact that they brought it back for this reunion tour speaks volumes about their commitment to delivering an exceptional experience to their fans. Interestingly, the suite's absence from later tours has almost become a tradition, with each tour trimming it down further. This makes its full return all the more special.
But the surprises didn't end there. The second night also featured a host of songs that were absent from the first, including fan favorites like 'The Analog Kid', 'Headlong Flight', and 'A Passage to Bangkok'. This level of setlist variation is a treat for die-hard fans, offering a unique experience each night. It's a bold strategy, as it requires a vast repertoire and impeccable musicianship, but Rush has always been known for pushing boundaries.
Another highlight was the guest appearance of Aimee Mann, who joined the band for 'Time Stand Still'. This is only the third time in Rush's history that a guest performer from a studio track has appeared live with the band. It adds a layer of authenticity to the performance, bringing the studio experience to the stage. These special moments are what make live concerts so captivating.
What many people don't realize is that Rush's ability to prepare such a diverse setlist, with 38 songs in total, is a testament to their enduring talent and dedication. It's a Herculean task to rehearse and perform such a vast array of material, especially considering the technical complexity of their music. This is a band that continues to challenge itself, refusing to rest on its laurels.
The 'Fifty Something' tour, with Anika Nilles on drums and Loren Gold on keyboards, is a celebration of Rush's legacy. It's a chance for fans to reconnect with their music and for new audiences to discover the magic of Rush. The multi-night residencies in each city provide an immersive experience, allowing fans to delve deep into the band's extensive catalog.
In my opinion, Rush's willingness to experiment with their setlists and bring back old favorites is a refreshing approach in an era of predictable, formulaic concerts. It's a bold statement that says, 'We're back, and we're here to give you an experience you won't forget.' This tour is not just a nostalgia trip; it's a testament to the enduring power of Rush's music and their unwavering commitment to their craft.
